Category Archives: WWoB

Aphorisms

From the story Angelfish

As in:

When I visited Seattle five weeks after Marjorie’s miscarriage she had begun to eat again but her complexion was ashen. By then, she’d left the small house on Capitol Hill where she and Gregory had been living and moved in with friends in West Seattle. We walked Alki beach in a misty rain. I told her I thought she loved Gregory. She exhaled a stream of smoke and bit her lip.

“I think so too,” she said, but the look on her face was that of a child left alone in a strange place.

“He would like to hear that,” I volunteered.

“You think I don’t know?” she replied in frustration.

Our sister Leslie tells me I tend to be too linear in my approach to things. I tell her that running a small business is not as easy at it looks, that there are times when it is necessary that the faith life requires be reduced to a handful of aphorisms or sports metaphors. It lessens the handwringing.

“Life isn’t like football,” Leslie says.

“But at least there’s a clock in football,” I reply.

When I arrived at Marjorie’s place the following evening with a thoughtful approach to saving her marriage a woman named Susan answered the door to explain that my sister would not be receiving visitors. There was a misunderstanding, I explained, I am her brother. Of course she’ll see me.

We argued.

Susan sounded a lot like something she’d read recently. This made me angry, which only confirmed Susan in her diagnosis, which only made me angrier. I would have kicked against the door were it not for the appearance of a second woman with a camera poised to capture the scene of a typical white male from eastern Washington in a hostile display of insensitivity.

So I captured a deep breath, aimed what was left of my heart at Susan and told her to tell my sister that I loved her, that Gregory loved her too, and that I had to go.

I’ve never felt worse leaving Seattle.

It’s not long after you cross Lake Washington that you realize you’ve left a complex metropolis and are headed toward a gaping landscape where wind blows against basalt palisades and an unmasked simplicity.

Or so it seems.

Next story segment, Amoebae

Amoebae

From the story Angelfish

As in:

Our rooms on the top floor are as we left them when Marjorie and I went off to college. On a small table between my bed and the window is my black, compound microscope still ready to magnify onion skin or amoebae. On the wall above my cherry wood dresser are boxes made from glass and stained plywood. They still hold arrowheads and coins.

Half the ceiling is covered by an Alaska state flag that Beth brought back from a trip to Juneau in 1959, the year Alaska became a state. It was a gift for my 15th birthday and came with a pamphlet telling the story of Benny Benson from Chignik, the 13-year old Aleut orphan who’d won the state flag design contest with his simple constellation of gold stars on a blue background.

From Marjorie’s corner bedroom, there is a better view of the stunning terrain. Through a gap in the poplars spreads a rumpled quilt of farmland reaching toward a butte above the Columbia River. A country music station still has its red and white tower atop the butte. Many years ago, the newspaper in The Dalles reported that high winds funneled up the gorge had blown the tower off its footings. What the paper didn’t report is that the wind was merely an accomplice to the chain whose other end was attached to the hitch of our friend Gordon Blancer’s Jeep.

“This was a pure act of hippy militarism,” Gordon explained years afterward, well aware of the inherent contradictions. “And this wasn’t something I needed drugs to do. There were higher motivations.”

To wit he’d just about had enough of Merle Haggard’s “Okie from Muskogee.” When the tower crashed to the ground with a magnificent thud, Gordon was heard to exclaim: “In-a-Gadda-da-Vida-baby!”

On the outer sliding door to Marjorie’s closet, Janis Joplin’s image perspires in a pink, blue, and red haze. From the opposite wall, between the windows, a perplexed Judy Garland, as Dorothy from the Wizard of Oz, stares at Janice in black & white, as if to ask “what the hell?”

On Marjorie’s desk is a framed picture of Beth leading a mule at the Grand Canyon in 1952. This time, when I notice the photograph, tears roll down my face faster than I can wipe them.

Next story segment, Marigolds.

Crisp

From the story Angelfish

As in:

There were other fish in the tank, besides the Angelfish on the floor, but they were also dying because Carl, on his knees, had smashed his right hand through the glass and bled heavily into what remained of the water. We later learned from the police report that he had used his hunting knife to slash his left wrist first, before delivering his punch to the aquarium.

Years later I worked as a beat reporter in Portland and there is nothing like a police report to make you appreciate the sad emptiness of human tragedies. There is a grim attentiveness to the physical evidence, and so little about the psychological and emotional distress behind the violence and the unfathomable cruelties at hand. You can be haunted by a police report.

Before killing himself, Carl had folded Marjorie’s jeans, her coffee-colored shirt, and her denim jacket and piled them neatly on a wooden chair. Marjorie was blank with shock when we entered but began to cry when Leslie and I wrapped a blanket around her. She didn’t speak for a week. She was 12.

Carl was 48. I ran the quarter mile down the road to Beth’s house where she was visiting with a neighbor. I well remember how strange it felt to be running so vigorously and purposefully with nothing but unspeakable news to deliver.

Beth allowed herself a single gasp. She pulled me into her Buick and we drove off down the road. When we arrived back at our house her directions were crisp and without emotion. Her only tears were when she noticed that Leslie had pulled every strand of orange yarn from the head of a freckled doll that she had gathered from the basement before ushering Marjorie up the stairs.

I finally asked her what we would tell mother. Beth couldn’t answer. Carl was dead. Marjorie was about to be taken to the hospital, and the hardest part of the day was still ahead of us.

Next story segment, Gloaming

Swordtails

From the story Angelfish

As in:

The tragedy that left its mark on our youth was delivered by Carl, our stepfather. Mother met him at a church social on a Saturday before an Easter Sunday.

Leslie and Marjorie and I remember the church social two weeks later because we remember the change in her, a new ivory blouse and lavender skirt, a voice less beaten by her long afternoons and her struggles with diabetes.

As for Carl, it was no trouble getting used to him. He had worked for Union Pacific most of his life and he told stem-winding stories about the railroad that rivaled many of Beth’s stories about her early days as a prospector, panning for gold in the Wallowas. He taught me how to shoot a rifle. He took me fishing for steelhead and sturgeon.

A quarter mile down the road from Beth’s house is the bare spot upon which a second home used to stand. It was a two story home built from yellow pine and brick, all of which was scavenged for a new barn when the house was demolished twenty years ago. In the basement of that home there was a large utility room where Leslie kept her dolls, where I kept my trains, and where Marjorie carefully maintained a growing collection of tropical fish: swordtails, guppies in Chinese robes, angelfish and all manner of other Cichlids.

What happened down there happened not long after Carl hurt his back trying to free a co-workers leg from beneath a pallet in a rail yard. This put him in bed for several days and in considerable pain for a while longer. He did not thrive in this condition, and neither did we. Mother took a job behind the counter at a farm supply store in Arlington, an hour away. She left in the dark in the morning, and arrived home after dark in the gray afternoons of November.

A couple weeks into this stressful arrangement, Leslie and I came down the stairs calling Marjorie’s name to the tune of a song we knew she didn’t like. We didn’t see her at first because she was sitting on the edge of a cot at the far end of the room. I remember we stopped singing when Leslie and I saw the water and the fish on the floor, the angelfish floating like saucers in a rose colored pool.

Next story segment, Crisp.